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A combined pocket size Hyperscope & Psudoscope, Discover the Eyebenda ![]() ![]() |
APPLICATIONS
The Cyclopter
Gallery/Exhibition use – Viewing Renaissance Paintings In 1907 Carl Zeiss patented a prismatic device which he called a Synopter. It placed both optical axes on one single axis, and he sold it to Art Galleries and Museum so that the visiting public could view the work of Renaissance painters in a virtual three dimensional space. Systems of perspective became more and more sophisticated, and all respond well to this type of viewing. The human visual system uses binocular disparity and vergence as cues to distance – being denied them by the viewing device, allows the spectator to pass more easily ‘through’ the picture plane into the virtual space of the painting, and appreciate the `space' constructed by the artist. The mirror/beamsplitter Cyclopter has a wider field of view than Zeiss's early prismatic device. Painters of representational subjects such as , Still-Life, Life and Portraiture will find the Cyclopter of interest because it removes binocular disparities and vergence effects. It allows the artist to view the three-dimensional subject as a two dimensional image. Schools of Psychology –study of effects of Monoscopic Vision
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© Terry Pope - www.phantascope.co.uk 2013 Designed by IntoArt Solutions LLP |